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Ricë Freeman-Zachery
Midland, Texas, United States
My name rhymes with "Lisa," I live in Midland, Texas, because it's warm and the mortgage is cheap, and no, my hair is not naturally orange. The EGE--The Ever-Gorgeous Earl--is my husband of 32 years. I have the best job in the world because I get to call up artists and ask them nosy questions and then write about them. In my spare time I write. Yeah, I know that's kind of pathetic, but what can I say?
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Sunday, November 15, 2009

More Brian Dettmer Eye Candy for Your Sunday

I corresponded briefly with Aaron Packer, of Packer Schopf Gallery in Chicago, when I was writing about Dettmer for Somerset Studio (click that link to order a copy of the 2008 issue, and see one of the spreads here), so now I get periodic email notices of exhibits. There seems to be a new one at the gallery, although I can’t find the dates of a show—so maybe it’s a permanent exhibit—anyway: if you’re near Chicago, you must go and report back! (please!)

1

2

3

5

For those of you who aren’t familiar with Dettmer’s work:  he takes old books, glues all the pages together, and then uses a scalpel to cut down through the pages to reveal the images inside. He doesn’t plan ahead of time, and he adds nothing—there’re no glued-in collage-y bits. Just what was in the book to start with. Amazing, amazing stuff.

Saturday, November 14, 2009

My Reading List

In photo form:

IMG_2229

This is all work-related reading of one sort or another. You can see that I still haven’t tackled the big, honkin’-ass Missing Manuals. Lordy, those babies are thick! And then the three podcasting books that came yesterday and today. I’ll probably want to get something else there, but this was a place to start—I ordered these on the iPhone while standing in the local Barnes and Noble, showing the person there how it worked because they could not locate a single book about podcasting in the entire store. Not one.

Right now I’m reading this:

book 1

So far I’m loving it. It starts out telling about the Creation Museum, where there’s an exhibit of dinosaurs wearing saddles. Because, you know, the bible says that man was given dominion over all the animals, and the earth is only 6000 years old. Ergo:  saddled dinosaurs. And just let me tell you:  if they’d had this when I was a kid, I would have been nagging my parents ENDLESSLY to take me, never mind that my parents were the most marginally religious of ex-Baptists you can imagine and would have cut me off before I even started to beg and whine. Still: I was all over dinosaurs—I had a collection of the little plastic ones that came in the boxes of miniature bags of Fritos!—and would have hitchhiked to Kentucky all by myself, lugging my little pink zippered suitcase, to see a ride-able triceratops. Boy, howdy~~

I have to read a book like this every so often just to reassure myself that somewhere out there, somewhere beyond Midland, Home of the Little Prong on the Buckle on the Bible Belt, past the state of Texas, where Governor Goodhair yesterday declared that the federal government is “punishing” Texas (for having spawned George W., I guess; although, as I always remind people:  he’s not really FROM here, OK?) and warned the populace that we’re on a slippery slide into socialism, that old bugaboo of the wingnuts—there are people who do not believe in the inerrancy of scripture, nor in The Rapture, nor in any other illogical explanation of the origins of the universe but who believe, instead, in things like evolution (not a popular topic here, let me tell you) and social progress and logic and, well, you know:  science and stuff.

And this:

book 2

I’m working my way through these, year by year, but because I have no science background, some of this stuff is so amazing to me—stuff like the The Great Garbage Patch--that it makes me have to put the book down and just marvel.

[Do you really believe they found water on the moon? I’m such a skeptic:  I’m thinking they’re just saying that to get more money for space exploration so they can find some other real estate to exploit when our uncontrolled population finally eats up every last bit of space on this current planet. Either we kill off a bunch of people somewhere with some arable land (but of course we’re too busy killing off people sitting on top of oil reserves to bother with that), or we find some other planet to pillage. But that’s just me. I’m sure they found water. Good, tasty water. And good soil. Probably also chickens and some pork, is what I’m thinking. Throw in a mall with some Nascar souvenir shop and we’ll be all over the first shuttle. Idiot America, indeed.]

And this:

book 3

Because lord knows I need all the help I can get, what with my Bag Thang (which I hope I’m over, thankyoujesus).

I recently read this:

book 4

I loved The Time Traveler’s Wife and so bought this one, full-price, in hardback. It was OK. I wasn’t disappointed, but I wasn’t wowed, either. I had some problems with character development—the reasons for their actions weren’t ever clear to me. The twins—gack. What can I say? The whole thing was weird:  they are 21 but act like 14 year olds. And I don’t know much about identical twins, but would two sisters sleep entwined in each others’ arms every night, all their lives? Really? What’s that all about? And what’s not being said here? Because I think Niffennegger (and that’s a name I’m always REALLY careful to enunciate, let me tell you) seems to have this Thang about intimating something:  remember in TTTW when the father walks in on the protagonist and himself as teenagers? What’s up with the appeal of auto-erotica with an identical self? I don’t know about her (well, it seems I know more than I care to, frankly), but having sex with someone exactly like me has NO appeal at all. Holy crap! The very idea of the EXISTENCE of someone exactly like me makes me break out in hives, frankly. It’s one reason I didn’t reproduce: I always figured you needed a really strong ego to want to make copies of yourself, and the idea of More Me’s is just really taxing in a really big way. So forget even thinking about bringing SEX into it. Goodlordalmighty.

Where was I? And why can I not do even a simple little book list without getting all sidetracked? Sheesh.

and this:

book 5

This is typical Berg. I love the way she writes and have read, I think, everything she’s published. Maybe not. But I think so. I like the way she uses language. I do NOT like the women in her novels. Good grief, but they irritate me. I do not like insecure, indecisive, needy women in real life, so there’s no way I’m going to like them in fiction, either. This one reminded me of someone I know and like, and I STILL wanted to slap her and say, “Wake the fuck up!”

Still, if you like Berg, you’ll like this. Just like her others. She puts lines in there that make me grin. And the daughter in this book, when she says, in exasperation, “Mom. Mom. Mom.,” trying to get her mother’s attention to remind her of something they’ve discussed a million times. I can HEAR that, and I can still hear it, and it’s brilliant:  it tells me more about their relationship—loving but typically difficult--than someone else could tell me in 10 pages.

and this:

book 6 

Oh, I love Wexler. I can’t remember his religious background—seems he went to Catholic school and converted to Judaism and then became atheist, but I could be way wrong. Here’s his bio:

I am currently a professor of law at Boston University, where I've taught law and religion, among other things, since 2001.  In the spring of 2008, I taught in Europe, first at Lyon 3 in France and then on a Fulbright grant at the Jagiellonian University in the amazing city of Krakow, Poland.  Before starting at Boston University, I worked at the Department of Justice in the Office of Legal Counsel for two years.  Prior to that I clerked for Justice Ginsburg at the U.S. Supreme Court and Judge David Tatel at the D.C. Circuit Court of Appeals.  I have a JD from Stanford Law School; an MA in Religious Studies from The University of Chicago Divinity School; and a BA in East Asian Studies from Harvard.

And then beside that he has a photo of himself wearing a clown nose.

And then he writes about religion. It’s another of my There’s Life Outside Midland books. I had a line about the Amish that I wanted to give you, but I don’t remember where I put it.

OK. So that’s my recent/current reading. I was going to tell you more, but it’s 1 am, and that’s past the bedtime of someone who wakes up every morning at 7 am and doesn’t really sleep all that soundly in the interim. We went to dinner with friends and then went out dancing, so my body is all messed up, going, “Hey, let’s go for a walk! Let’s have some coffee! Wanna go to the mall? Come on!” Like that. She wears me out. I’m like, “Aren’t you tired already? You’re old. It’s late. You’ve got shit to do tomorrow.” She’s like, “I think there’s an after-hours club in Odessa. Let’s go see!”

I’m going to bed before I have to kill her.

Friday, November 13, 2009

Hey, Angela Recada: You win!

Send me your snail mail lickety-split, and I’ll get this magazine in the mail to you. Congrats!

Thursday, November 12, 2009

Fabulous Serendipity. Or Not.

I love serendipity. It’s just the coolest thing. If you’re a superstitious sort of a person, you might think serendipity is a Sign from the Universe. Maybe a Message from God.

What serendipity is, actually, is not what we think it is. It’s not what *I* thought it was, actually. And this, below, is not about serendipity, no matter that I would have called it that before I read about what serendipity really means and about the serendipity of scientific discovery.

Although you could argue, from this, that what’s below IS an example of serendipity.

My god, language is tough. No wonder people have such a hard time with it and resort to slang, “you know,” and pop phrases culled from TV. You know: “Not so much.” “And how’s that working for you?”

When I discovered that serendipity is listed as one of the ten words that are the most difficult to translate,

  • Plenipotentiary †
  • Gobbledegook †
  • Serendipity †
  • Poppycock †
  • Googly †
  • Spam †
  • Whimsy †
  • Bumf †
  • Chuffed †
  • Kitsch
  • I started to just say “Screw it” and change the title to “A Simple Coincidence.”

    But how boring is that? Really.

    So never mind, OK? I’ve worn myself out already, and I’m not even NEAR the point. So let’s just jump over there to it, shall we?

    A couple weeks ago I interviewed artist Jane Cather. You may have seen her fabulous custom-designed studio in the Feb/Mar/April issue of Where Women Create. So you can imagine how much fun this was for me.

    So we did the interview, and I printed out my notes and saved the audio and then remembered to go eat breakfast, and then I went out to get the mail.

    And got this from Pumpkin Girl, in Chicago:

    SCAN003

    And I stood there on the sidewalk looking at it, my mouth hanging open, and said, “Wow!”

    Because although I hardly ever see rubber stamp images any more, I recognized those immediately from the days when Rubber Stamps Were My Life. And I loved these particular images. And they were designed (you know where this is going, right?) for Rubbermoon Rubber Stamps by: Jane Cather.

    stamp 2

    stamp

    I get a rubber stamped postcard. It has Jane Cather’s images on it, images I actually REMEMBER (whoa!), as Jane had reminded me that we used to be in touch Back in the Day. And I it was deposited in my mailbox while I was talking to Jane on the phone.

    (I actually thought, for a second, that it was from Jane herself, with an alias, but she is across the country from Chicago.)

    Serendipity? Coincidence? A Sign from the Universe? What do you think?

    I just call it way, way cool.

    XO

     

    Wednesday, November 11, 2009

    Technology. Sigh.

    Sorry for any confusion from those last two posts. I could just remove them, but I think I’ll leave them. They were posts I did on the iPhone app last month in San Antonio. It wouldn’t post them then, but, for some reason I cannot fathom, decided to post them tonight when I checked that app to see if it had been fixed with an update. Apparently it had, and in its new fixed state, it decided to send the posts.

    Man, there are days when I miss the whole write-a-n0te-put-it-in-an-envelope-and-mail-it kind of technology.

    So that’s the explanation. Thanks to Tristan for calling it to my attention.

    San Antonio

    Thought I'd show you a couple of our friends here in SA. The first is Little Guy, and then Mary, incorrectly called "Molly" when I mentioned her last time.

    Whoa.


    That's the trouble with blogging via the iPhone: the Add Photo Button is right by the Publish Post Button. Let's try again.
    Oops--only one photo at a time. Grrrrr.

    Tuesday, November 10, 2009

    Listen Up, People! The Art of Listening & The Myth of the Listening Machine

    “Everybody’s talkin’ at me,

    but I don’t hear a word they’re sayin’”

    Yeah, lately I’ve been thinking a lot about listening. It’s what I do, pretty much. And I’ve been thinking about it from both sides—the listener, and the person being listened to.

    And the wonderfulness of listening to someone who’s full of life and joy and ideas and is shooting sparks of creativity with every word.

    And the responsibility of listening to someone whose life isn’t quite so joyous.

    Listening well isn’t easy. Talk is way, way easier than listening, if you’re doing the latter the way it should be done.

    And I’ve been thinking about what it means to listen, and what it means to have someone listen to you, and the responsibilities of both parties, as well as the expectations and false beliefs. Come along with me~~

    Remember—I’ve told y’all this many times, I’m sure—about the time I met a woman who had had suffered the worst thing ever? I knew I was going to meet her, and I sat in my car in the parking lot writing in my notebook and preparing to listen.

    And then, almost every day for the next year, I listened some more. She talked. I listened.

    This is the kind of listening I mean:  when you open yourself up wide and take in what the person is telling you. You don’t interrupt. You don’t make hurry-up noises. You don’t form opinions. You just listen. Wide open. Their words take you into their life.

    I used to lie on my back on the floor while she talked to me on the phone, my arms and legs out at my sides, wide open. Listening. Sometimes crying, silently.

    It’s not easy. We’re not taught to do it. We learn that “listening” means waiting, with some little degree of polite patience, for the other person to finish talking so we can say something. Sometimes we’re excited to say something because something they’ve said has struck us and we want to respond. Sometimes we’re just waiting to talk about ourselves. Sometimes we want to bring the conversation around to a better topic—something more comfortable, or fresher, or less depressing. Most of the time, we’re forming our response in our heads while they’re talking, mentally tapping our foot:  “Come on, come on, wind it up already!”

    The exceptions are:  when we’re trying to learn something (lectures, lessons), when we’re hearing something juicy (gossip, news), and when we’re in love (hanging on every sugared word).  The kind of listening we sometimes do for loved ones. There are other exceptions, sure—which is what, of course, proves the rule, as exceptions always do.

    Sometimes it’s invaluable to have someone listen to you. In the above case, it was. She had a horrible, horrible burden and needed to share it. It wasn’t something most people could hear without flinching and turning away. She couldn’t talk on and on about it to her family or her co-workers or friends.

    Sometimes, as above, the role of listener is something you take on willingly. You know it’s something you can do for someone else, and you do it the best you can.

    This should always be the case, you think? I disagree:  listening this intently is exhausting. If we did it all the time, in every conversation, we would be completely worn out.

    Because, it turns out, listening well is not passive. It’s a very active thing, and it requires concentration of a singular sort.

    I prepared to meet and listen to this woman the way I prepare to listen to someone when I interview them. It works as well for listening to a lecture or having a serious conversation with your partner. It helps if you meditate regularly—really! I’m serious:  regular meditation helps you learn to control your mind and keep it from racing all over the place. You know:  you’re listening to someone talk about their bunion surgery, but you’re thinking about whether you’re going to have to install a new garbage dispose-all. So here’s some stuff I’ve learned.

    Here’s how you can prepare to listen, say, if you’re going to have coffee with a friend who is having A Crisis of whatever kind.

    --Take time to relax before you meet. This is important. It’s hard to listen when you’re stressed, rushing around, multi-tasking right up until the minute you sit down at the table, look at your watch, and go, “OK, so tell me. . . .”

    --Prepare by reviewing. When I was getting ready to meet the woman, above, I re-read the newspaper accounts. When I’m getting ready to talk to an artist, I read whatever information they’ve sent me, read their blog, look at their website. I focus on what they’ve said and what they’re doing, not on what I’m going to say to them or what I’m going to do with the information. I don’t have a list of questions—then I would have an agenda, and having an agenda is the opposite of Open Listening. I think of it as an opportunity to be taken into another world. If you listen closely enough, it’s like entering another life. In the above case, it’s scary and sad. In the case of the artists I listen to, it’s an amazingly wonderful thing, seeing what they do from the inside. (If the person I’m listening to is a particularly good story teller, listening and entering their world is fabulous, like I’d imagine it would be with a hit of some really good drug that takes you out of yourself and into another, magical place. There is nothing like a really good story teller, period. I know some.)

    --Sit down facing them and relax. Lean forward and make as much eye contact as feels comfortable. You know posture affects mood. If you sit with your arms and legs crossed, you’re in a posture of protection, which is the opposite of being open.

    --And then just listen. You can tell when they need you to nod in agreement, or when they hope for a chuckle or a sigh. If you’re paying attention, you’ll know when to ask questions or to re-state what they’re telling you to make sure you’re understanding them. But you may not need to do that at all.

    And here’s what not to do:

    --Don’t fidget. Lord, do NOT fidget! If someone is telling you Important Things, the last thing you want to do is to appear bored and eager for them to get it over with so you can go buy shampoo.

    --Don’t interrupt. Duh.

    --Don’t look at your watch or your cell. Do not answer your phone or sneak a peek for texts.

    --Do not go, “Yeah, yeah, right, right, right.” When did people start doing this, anyway? And why does everyone do it? People seem to think, when they’re saying it, that it means, “Yeah, I get you, I understand you.” But what it says is, “Yeah, yeah, yeah, heard it all, get on with it, I’m too busy to listen to this.” Bank tellers, people at the post office and the grocery store—it’s like a national tic or something.

    --Do not make comments. You know, “Everything will be OK,” “You’ll feel better tomorrow,” “That happened to me, too.” Just listen.

    So there’re some steps to being a good listener. But what about if you’re on the other side? What if you’re the one being listened to? Do you realize what a gift you’re being given? If you practice this open listening, you’ll realize how demanding it is, and you should realize, then, that when someone does it for you, they really are giving you a gift. Don’t take advantage of it.

    How would you do that? Ahh. Turns out I have some advice there, too. Since I do listen, I have often found myself in the position of The Listening Machine. I’m not sure why I let myself do this, as I know from experience what will happen. It stems in part from my need to be useful and solve people’s problems. Perhaps it also comes from some desire to prove that I can, too, make friends. Whatever the reason, it happens, and I’m still learning how to avoid this, because there IS no Listening Machine, not unless you have a therapist and are paying them to listen to you. Because guess what? They are trained for that, for the work and the stress of listening over and over to other people’s troubles.

    Regular lay people are not.

    In the above example, after a year of almost daily listening, I said something during a conversation about something going on in my own life. And the woman skipped right over it and asked me to do her a favor. As if I hadn’t said a word.

    You know:  you have a friend who has all this stuff going on, and you listen to her talk about her husband and her kids and her job, on and on and on. You’re a great listener for her, and she appreciates it—she says you’re wonderful at this. And then one day you mention something about your own life, some worry or problem or some joy or excitement. You say, “I’ve got this huge report due at the end of the week.”

    She says, “Little Billy made two goals in soccer on Saturday.” Just like that, not missing a beat, as if there hasn’t even been a squeak in the machinery of The Listening Machine.

    It happens. Usually the person being listened to doesn’t even realize how rude they’ve been. They’ve become so used to talking, talking, talking—unburdening themselves of all their problems—that your comments about your own life don’t even register.

    Or: you’ve been listening to someone for months, someone obsessing about some on-going problem (hint:  often has to do with the words “job” and “boss”), and suddenly you can’t do it any more. You’re overwhelmed. Her problems have begun to seem like your own. Her stories take you back to your own worst job ever, and you start to have headaches just like you did then.

    It’s like the time I told you about when the woman came up to me and started talking about her mother having been in the hospital, not too long after my mother had died. She knew about this, and it seemed to her to be a good reason to talk about her own mother’s recent illness in great detail. And I had to say, “I’m sorry, but I’m not going to talk about this.” Because everything she said brought up painful memories, and no matter how much she might have needed to talk to someone about her mother, I could not be that person. There are times you have to say, “I’m sorry, but we’re not going to discuss this any more.”

    Then you know it’s time to change things, to ease away, or to tell your friend it’s time for her to go for career counseling or just quit the damn job already or something besides talking to you about it. Everyone can’t listen, and people who can listen can’t do it for everyone all the time.

    If you’re lucky enough to have someone really listen to you, here’s what you need to do:

    --Ask them if they can make time to sit and listen to you. Set a time for this; don’t catch them when they have 15 minutes before they need to do something else and then put them in the position of having to say to you, after you’ve talked for an hour, that they reallyreallyreally have to go home and take the roast out of the oven, never mind that it’s a charred ruin already.

    --Do not put all your burdens on one person. You cannot expect another human being to listen to all your myriad woes over and over and over. The only person who can do that is a therapist. Try to find more than just the one person to talk to, kind of like tag team listening.

    --And if you find yourself relying on your listener, depending on them to listen to you every day for weeks and months—then it’s really time to think about finding that therapist. It’s too much to ask a lay person to take in all that pain or uncertainty and worry or obsessing day after day.

    --Don’t ever forget that there is no Listening Machine. The person giving you the gift of listening is still a human being, with a life and cares and joys and concerns of their own. When you begin to think of them as just a receptacle for your talk, you’re turning them into a Listening Machine, and those don’t exist. Listening is a two-way street. You may think your life is the one that’s important, that your concerns are so important that your listener cares as much about hearing them as you do about talking about them, but this is never the case:  no one cares as much about your life as you do.

    Not unless they’re some kind of stalker, they don’t.

    So: really open listening is a gift. It should be treated as a gift. If you’re capable of offering it, this is a wonderful thing to do for someone. If you are the one being given the gift, don’t take it for granted, and don’t abuse the kindness of the gift. Never forget that your listener is a human just like you, and their lives are as important to them as yours is to you.

    Cultivate the habit of open listening, but offer the gift of it with care. Practice it in good ways:  when you meet someone with an interesting story to tell you; you’ll enjoy it ever so much more than if you were sitting there, halfway listening, trying to think of a story of your own to offer in return.

    And if you practice and then you get a chance to listen to a poet or an artist or a really good story teller talk about their life and what they do? You’ll be able to open your arms and your ears and be prepared for pure magic.

     

    Podcast with The Fabulous Judy Wise

    100_7124

    I told y’all about meeting Judy this summer in Portland, about how everyone had always said how sweet she is, how sweet and kind and gentle and brave and good and honest, right? Like she was a Bluebird or a Girl Scout or something? So even though I loved her art and her blog and her contributions to the book and everything, I was kind of leery, cos “sweet” can  be good, but it can also be really, really scary.

    You’ve known people who are so sugary and saccharine that they just make your teeth ache and make you want to go lie down and clutch your stomach and moan a lot.

     Judy is not like that.

     Judy 4KONICA MINOLTA DIGITAL CAMERA

    She’s sweet, but she’s the Good Kind of Sweet. She’s encouraging and gentle and kind, but she’s also a total hoot, which is, in case you don’t remember, the highest form of praise a Texan will ever give you.

    (This is where we’re talking about the FlipVideo, which she mentions in the podcast. She turned me on to the iPhone; I returned the favor with the FlipVideo.)

    Oh! The podcast! That’s what this is about—here I am all reminiscing about meeting Judy, and I’m supposed to be introducing you to today’s podcast, which is here.

    (It’s also over there in the sidebar, if you like.)

    Then you must run over to Judy’s website, where you can find a link to her blog (it’s the same URL as the website).

    From Judy’s journal:

    Judy 5

    Judy’s studio:

    Judy 1

    Judy 2

    What are you waiting for? Go now.

    Enjoy!

     

     

    Monday, November 09, 2009

    Where You Can Find My Work for November

    Ok, I said I’d try to remember to post where you can find my work each month, so here’re the magazines that came out the first of November

    Art Doll Quarterly, which has my profile of the fabulous Judy Wise, who’s also in my book.  ADQ

    Belle Armoire, with my profile of Suzi Click:

    BA

    And Somerset Studio, with Rebecca Sower:

    SS

    Happy reading!

    XO

     

    This Week’s Give-Away: Art Doll Quarterly

    I’ve got a brand-new, still-in-the-wrapper extra copy of Art Doll Quarterly, featuring my profile of the fabulous Judy Wise, who’s also one of the contributing artists in Creative Time and Space AND the subject of my next podcast, which is scheduled to happen in about 3 hours. So you’ll want to check out this issue for sure.

    ADQ

    Y’all know the rules:  post a comment telling me something—something about why you like dolls or figurative sculpture or about Judy and her work or SOMETHING. Because I really do read all the comments, and I love hearing what y’all have to say.

    And then you MUST check back Friday. If you don’t, I’ll post that cat photo I love (thanks for the swell idea!), the one where he’s looking grouchy and drumming his fingers toes. Paw. Whatever.

    On-Line Studio

    In checking for a link to Susie Monday’s book, New World Kids, I ran across her post with photos of her studio—she participated in Cloth Paper Scissors On-Line Studio project. Go here to see her fabric art studio, where she also teaches.

    studio

    I LOVE seeing people’s studio spaces, don’t you? If you know of some good ones, send me some links—if I get a bunch, I’ll either do a post with links and/or put up a sidebar with links to people’s spaces—that would be fun!

    Hey, Aimee! Here’s Your Book!

    The copy of Susie Monday’s New World Kids goes to Aimee. If you’re interested in finding out more about this book, go here.